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Archive for the tag “Powerpop”

27 Jun 2014

The Crush Deliver Powerpop Fun For Your Summer

The Crush

The Crush is a rocking indie pop band from Seattle. I featured them previously in a round-up of songs added recently to Pop That Goes Crunch radio.

Their new EP, Future Blimps, quite fittingly dropped on the first day of Summer. It consists of five hook-filled tracks alternating between somewhat stomping garage rock and jangling Power Pop. There is nothing fancy here, just eighteen minutes of bass-guitar-drums rock and roll that flies by in an instant. Its your perfect warm weather accompaniment.

Future Blimps kicks off with a stomper, “Never Gonna Stop,” that immediately announces Kira Wilson as a vocalist with whom to reckon quite seriously. Her pipes are sassy, self-assured and powerful throughout the EP, and wind seamlessly through its many riffs and rhythms:

The next track, “Around” is sinewy, head-swaying jangle pop. “Better and Better” takes us back to the garage and serves up four-minutes plus of blues-rock riffing ripped from the 60s.

The jangle makes a comeback on “Its Love,” where the guitars vie for sonic supremacy with Wilson’s varying vocal stylings:

The EP concludes its all-too-brief stay with “Nothing To Lose,” a bit of classic 70s-styled Power Pop:

Future Blimps is not intended to set the world on fire with innovation, but that’s perfectly fine. Its just fun rock and roll, and the hooks come at you full blast. Its quite a steal, at only $3. The band even cites The Nerves as one of their influences, and you can’t beat that.

 

 

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22 Jun 2014

The Big Show #1: Cover Me

Deep Fried FanclunLast week, I premiered at Pop That Goes Crunch radio, a weekly show hosted by me called “The Big Show.” Each show will be approximately a hour-long. They usually will be themed.

The first show consisted entirely of “covers.” The focus, however, was on covers of well-known songs by well-known artists, but which themselves are not particularly well-known.

Included within “Cover Me” is:

  • Teenage Fanclub covering The Beatles’ “The Ballad Of John & Yoko,” from their odds and sods compilation, Deep Fried Fanclub, pictured above.
  • The Jam covering The Beatles’ “Rain”.
  • Jellyfish covering The Move’s “I Can Hear The Grass Grow.”
  • Wondermints covering Elvis Costello’s “I Hope You’re Happy Now.”
  • Old 97’s covering R.E.M.’s “Driver 8.”

“Cover Me” is posted on Mixcloud, but you can hear it directly in this post by clicking on the picture below. The complete track list appears below that.

 

Track List:

1.  Teenage Fanclub, “The Ballad Of John & Yoko”

2.  Redd Kross, “It Won’t Be Long.”

3.  The Jam, “Rain”

4.  Cheap Trick, “California Man”

5.  Jellyfish, “I Can Hear The Grass Grow.”

6.  Andy Reed, “The Glutton Of Sympathy”

7.  Hippodrome, “Foggy Notion”

8.  Big Star, “Femme Fatale”

9.  The Dead Girls, “You And Your Sister”

10. The Posies, “I Am The Cosmos”

11. Wondermints, “I Hope You’re Happy Now”

12. Elvis Costello, “I Can’t Stand Up For Falling Down”

13. Grant Lindberg, “On A Plain”

14. Nirvana, “The Man Who Sold The World”

15. R.E.M., “Crazy”

16. Old 97’s, “Driver 8”

17. Kurt Baker, “Hangin’ On The Telephone”

18. The Muffs, “Rock & Roll Girl.”

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13 Jun 2014
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New Music For Your Weekend

Hot NunToday’s round-up of new music now making the rounds on Pop That Goes Crunch radio disproves the notion that Power Pop, and its sub-genres, is one-dimensional and repetitive.

Hot Nun, “A Little Too”: Jeff Shelton turns the volume up to 12 (11 is for wimps) on this melodic, metallic fist-pumper ripped from 1975. Transport yourself to the Oakland Arena and make sure to bring a cigarette lighter along to raise up high during the poignant parts:

The Corner Laughers, “Midsommar”: This is the yang to Hot Nun’s yin. The Corner Laughers already have about 5,000 songs spinning in rotation on Pop That Goes Crunch radio. “Midsommar” carries on their tradition quite well, with its ukelele, its clever paean to Sweden’s summer solstice, and its overall sunny disposition. Feel the melodic sunshine warming your skin:

TV Girl, “Birds Don’t Sing”: This is a bit of West Coast Pop and French Pop blended with a subtle hip hop beat and noises and voices that would have been called “tape loops” in ancient times. If this three-plus minutes of joyful happiness doesn’t brighten your day, your day is simply incapable of brightening:

The Bon Mots, “Galahad”: Four songs from the band’s new longplayer, Best Revenge, were added to Pop That Goes Crunch radio. You can stream the entire album here. I’m sharing “Galahad” because it nicely follows the previous two songs with its jaunty, bouncy rhythms, subtle jangling guitars and hook-laden melody:

Trip Wire, “Stay”: This is mid-tempo Power Pop that relentlessly pounds its way into your brain. I try not to make comparisons between bands, but let’s just say that “Stay” had kind of that rocking yet “peaceful, easy feeling” for which this band is particularly known. That makes it great, so listen to it right here, and then get it on Bandcamp:

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So there’s five new songs to add joy to your day. Support the artists since they are working hard for you, and check out the radio station, too.

 

 

 

 

 

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23 May 2014
2 Comments

The Legal Matters Deliver Perfect Harmony

The Legal Matters

Some albums grab you immediately and refuse to let go. You wake up, and one of its songs is in your mind. You’re at work, and another one is seemingly in your ear. You’re making dinner, and yet another one is bouncing around relentlessly in your head. And so on, and so on and so on.

The self-titled debut by The Legal Matters is one of those records. The Legal Matters is a “rockin’ pop project containing equal parts Chris Richards, Andy Reed and Keith Klingensmith,” each of whom has been discussed many times previously on these pages. Given that life’s too short to write about bad music (or even mediocre music, for that matter), it is hardly surprising that I would at least “like” this “rocking’ pop” effort.

That, however, is quite an understatement. The whole of this combination is greater than the sum of its three “equal parts.” The Legal Matters is the best long-player I have heard so far this year. It is hard to imagine anything coming out in the second-half of the year to eclipse it.

The opening track, “Rite Of Spring,” sets the tone for the album in its first few seconds. A simple keyboard riff over strummed guitars bathes the revelry about the perfect girl in undeniable warmth and sweetness. You can feel the sunshine on your skin by the time the million-dollar three-part harmonies kick in at about the one-minute mark:

Gorgeous harmonies are all over this record. Richards, Reed and Klingensmith are superb singers on their own. This record makes the case, though, that they should be singing together until they can sing no more. Check out, in particular, how the harmonies sung during the chorus add a sense of hope to the longing that otherwise characterizes “Have You Changed Your Mind?”

Indeed, several songs on the album adroitly play the bitter against the sweet. “So Long Sunny Days” hides its own sense of longing and melancholy in three-minutes of absolutely perfect melodies. “Mary Anne” is probably the prettiest song about a life full of regret that you will hear this year.

None of this means that the Legal Matters can’t “rock” when they want. But they do it without trying to beat you over the head. “The Legend Of Walter Wright” — a man who was “remarkably clean and mildly polite” — may be the best song in the collection. It will have you reflexively increasing the volume on the car stereo whenever it comes on as you drive around town:

 

Delivering “only” ten songs over thirty-five minutes, The Legal Matters recalls a time when the space limitations of vinyl meant that truly great artists only waxed their best ideas. There is no fluff here, and not a moment of time is wasted from start to finish.

So, run, don’t walk, to wherever you go to buy the finest music, and get The Legal Matters as soon as you can.

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18 May 2014

Retro New Music Sunday

Here’s your weekend round-up of what’s new, cool and now spinning in rotation at Pop That Goes Crunch radio.

phonograph

phonograph — “Don’t Bring Me Down” — In days gone by, this band’s debut collection of radio-ready melodic guitar pop (titled simply, Vol 1) would have yielded an entire basketful of hit songs. So I added four of them to the station. “Don’t Bring Me Down” makes you think for a couple of minutes that its 1965 again. It brazenly breaks no new ground at all. It’s just a couple of guitars, some voices, a bass and some drums living together in perfect harmony:

Dropkick — “Halfway Round Again” — This bit of laid-back jangle pop also stops for a while in 1965, before the band applies a slightly more contemporary gloss to the track’s basic retro stylings:

The Cocktail Slippers, “You Give Me”: The Cocktail Slippers are stridently and unapologetically retro. This bit of foot-pounding, head-bopping call-and-response garage stomp fits perfectly into their oeuvre. You can hear the studio version right here, but also check out the very cool live version recorded on Valentine’s Day:

Andy Klingensmith, “Pangea”: This one appeared on Bandcamp just yesterday. “Bored, so here’s a new solo single,” said Klingensmith on his Facebook page. Well, then, let’s raise a glass to boredom! “Pangea” is beautiful acoustic psych-folk featuring just Klingensmith’s multi-layered voice and his guitars in the vein of his 2013 debut which yielded a song on my year-end Top 20 list. The short break beginning at about 1:13 is awfully pretty:

Static In Verona, “Bitter Branches”: Chicago-based musician Rob Merz plays and sings everything on a wonderfully eclectic album of dreamy, often symphonic pop with occasional electronic flourishes. Merz’ gorgeous vocals play off stunningly against the wall of sound in “Bitter Branches,” one of the more rocking tracks on Everything You Knew Before You Knew Everything:

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So there’a another five new tracks to sample on a Sunday, but this time with a decidedly retro twist. Listen, support the artists and check out Pop That Goes Crunch radio, where the playlist has grown to more than 1,100 songs, and will keep on growing.

 

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20 Apr 2014
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Easter Sunday Round-Up Of New Tunes

Flora Fauna

Easter Sunday brings a basket full of sweet new treats spinning in rotation at Pop That Goes Crunch radio. Although the first song has a winter theme, you’ll ultimately see a lot of “sun” in this week’s round-up.

Fauna Flora, “The Arms of Winter”: Fauna Flora is the new project of Steve Ward, formerly of Cherry Twister. Its self-titled debut album is relentlessly beautiful collection of soft and loud(er) pop songs, with occasional strings and anchored by Ward’s consistently rich and expressive vocals. “The Arms Of Winter” is a bit of glorious chamber pop:

Sunrise Highway, “Windows”: I wrote a short piece on their cool bit of sand and surf jangle pop, “Endless Summer,” at the end of last summer. “Windows,” the title track from a soon-to-be-released long-player, is cut from a similar cloth with its laid back, jangly guitars and gorgeous West Coast pop harmonies. Here’s a preview:

Sunshine On Mars, “Lower Your Standards”: This virtual band-by-file sharing — an “ill -advised cross-country music collaboration of 3 Facebook friends,” as they say — does covers, and nothing else. Two of its previous digital downloads — “Feelin’ So Good (S.K.O.O.B.Y. D.O.O)” and “Sugar, Sugar” — give you a good idea of the sensibility at play here. This is not music that takes itself too seriously, or even seriously at all. Their brand spanking new cover of Slow Runner’s “Lower Your Standards” ups the bubblegum quotient substantially over the original. That’s a good thing, trust me:

Sunday Sun, “Sunday Morning”: This one comes right out of the gate as unabashed bubblegum, and continues dishing out sweet gobs of sticky goo for the next two-and-a-half-minutes. That, of course, makes it quite delectable. Make sure you brush your teeth after this one:

Ballard, “Take Good Care”: Darren Riley, recording as Ballard, says this one resulted from a challenge “to write and record an Everly Brothers-inspired song in a couple of hours.” That’s a good description of this decidedly old school stomper, complete with pounding drums, slightly twangy guitar and a simple sing-along chorus. There is nothing at all complicated here, just good old-fashioned rock ‘n roll:

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So there you have five new tracks to savor this Sunday. Listen, support the artists and check out Pop That Goes Crunch radio, where the playlist has grown to 1,000 songs.

 

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13 Apr 2014
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Some More New Music Nuggets For Your Sunday

The Sharp Things

Here’s another round-up of some of the best recent additions to the rotation at Pop That Goes Crunch radio.

The Sharp Things, “An Ocean, Part Deux”: This track appeared originally on 2007’s wonderful A Moveable Feast. Here it is, however, in a glorious and spirited live version  record last September at the Galapagos Art Space in Brooklyn. I’m not normally a fan of live albums, but this nine-song set shows just how deftly this multi-instrumentalist collective — about whom I have written previously, here and here — handles intricately arranged symphonic pop music in real-time:

Nine Times Blue, “Falling After You”: The band’s new EP, Matter of Time, contains six beautifully crafted, timeless pieces of bass-guitar-drum melodic rock that ends far too quickly. “Falling After You” hooks you immediately with its extended opening guitar riff. Here’s the band performing it live in Atlanta last July:

Phil Ajjarapu, “Sing Along Until You Feel Better”: Ajjarapu crafts West Coast Pop with multi-tracked vocals and swirling harmonies, punctuated by an occasional rock riff, in Austin, Texas, of course. This two-and-a-half minutes of Sunshine Pop is a contender for my year-end “best of” list:

Spirit Kid, “Slow It Down”: The title of this track is the misnomer of year. “Slow It Down” is frenetic, foot-pounding, head-bopping three-chord Power Pop with a decided Buzzcocks‘ underbelly. You won’t be able to sit still while listening:

The Crush, “The Hook”: This is big, 70s-style melodic rock with a pounding, relentless beat and a bushel full of hooks, befitting its title perfectly:

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Each of these songs, along with nine-hundred others, are spinning 24/7 on Pop That Goes Crunch radio. Support the artists, buy their music and check out the station while you are at it.

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06 Apr 2014

Some More New Music Treats For Sunday

Nick PiuntiIts Sunday. That means its time for a round-up of some of the recently-added tracks streaming 24/7 at Pop  That Goes Crunch radio. This week features a bevy of great new music.

Nick Piunti, “Believe It”: This is one of two bonus songs on the forthcoming vinyl release of 13 In My Head, the title track of which captured the number three slot on my “best of 2013.” “Believe It” is a classic mid-tempo guitar rocker anchored by Piunti’s distinctive vocals. If there is a better rock singer around today, I have yet to hear him or her:

Grant Lindberg, “Whatever”: Lindberg is a prolific “one-man band recording rock music in the vein of Superdrag, Brendan Benson, Cheap Trick, Jason Falkner, Nirvana and Ash.” I’ve added three songs from his new long-player, Artificial Inspiration, to the station. “Whatever” does quite a good job of pounding its way relentlessly into your mind for a couple of minutes. Before you know it, you’ll be singing to yourself “whatever you want, whatever you want, whatever you need, whatever you need” over-and-over again:

The New Mendicants, “Cruel Annette”: The New Mendicants feature Joe Pernice and Norman Blake. They take turns singing lead on “Cruel Annette,” and they also create absolutely gorgeous harmonies together. “Cruel Annette” is that rare song that manages to be both relaxed and rather rocking at the same time:

Evil Arrows, “Gods of Light”: Bryan Scary is on a roll with Evil Arrows. I featured the very cool “Jennifer Kills The Giant (Once A Week)” in a recent post. “Gods of Light” has a similar slightly off-kilter mid-80’s English new wave pop and 70’s glam feel to it. In my book, that makes it rather brilliant:

Greg Ieronimo, “Roller Coaster Ride”: Ieronimo recently released a seven-track kind-of long-player of fairly elaborate and lushly produced Power Pop. The entire album is recommended, and can be downloaded here. “Roller Coaster Ride” kicks off the set perfectly by throwing what seems like a couple of dozen hooks your way in the first twenty seconds:

Wait, there’s more:

I’ve added both of the Nick Piunti bonus tracks to the station. The other track, “Quicksand” is an acoustic piece featuring more of those great vocals, and one of the most inviting choruses you’ll likely hear this year:

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Each of these songs, along with nine-hundred others, are spinning 24/7 on Pop That Goes Crunch radio. Support the artists, buy their music and check out the station while you are at it.

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23 Mar 2014
1 Comment

Sunday Round-Up From The Car Wash

Jeyllybricks

Stuck for a couple of hours at a Wi-Fi enabled car wash to see if they can remove evidence of malicious “keying” by a bunch of unruly heshers in a shopping center parking lot? That presents a grand opportunity to update you on some more recent additions to Pop That Goes Crunch radio.

The Jellybricks, “Probably Me” — Bright and shiny guitar-driven Power Pop by a favorite over at the station, who now have seven tracks spinning in rotation. Love the key line of the chorus: “something’s gotta give, and it’s probably me/there’s a hole in my chest where my heart used to be”:

Orgone Box, “Ticket With No Return” — The Active Listener blog, which is featured at the Blogroll to your right, recently released the “retweaked and perfected” digital version of the 90’s classic long-player, Centauar, on Bandcamp. I added four tracks from Centaur to the station recently, which is more than usual from one album. “Ticket With No Return” is pop-psych perfection, featuring the kind of handmade attention to detail found on such other favorites as Cotton Mather’s Kontiki:

Greater California, “The Foolish Son” — This is five years old. It deserves a whole lot more attention, particularly as summertime starts coming into view. Its beautifully constructed West Coast Pop driven by gorgeous harmonies to savor as the days grow longer:

Gen Pop, “Warm Sun” — Some jaunty, breezy guitar pop from Wisconsin. They’ve got a nine-track, name-your-price download over at Bandcamp that you should check out in full. But in the meantime, drink down the bittersweet summer drink of “Warm Sun” punctuated by some way cool glockenspiel:

Goodman, “Isn’t It Sad” — Michael Goodman creates one-man-band Power Pop with garage rock undertones from his perch in Brooklyn. The rockin’ title track from his new longplayer will have you poppin’ and boppin’ all day long:

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Well, that’s all I’ve got time to share with you today, since my vehicle is close to looking new again. After you’ve checked out these five songs, give a listen to the radio station, right here.

 

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09 Mar 2014

New Music Sunday: Almost Spring Edition

The Legal Matters

I’ve recently added a bunch of additional tracks to Pop That Goes Crunch radio, both new and old. Here is some of the best “new” music added over the past week, kicking off with a bit of Springtime:

The Legal Matters, “Rite Of Spring”: The Legal Matters is a “rockin’ pop project containing equal parts Chris Richards, Andy Reed and Keith Klingensmith,” each of whom is well-represented on this site and on the radio station. “Rite Of Spring” is our first taste of a long-player scheduled for a summer release. You need go no further than this to hear the best vocal harmonies of the year, set amid jangly guitars, subtle keyboards and some way cool jingle bells:

The JAC, “Love Dumb”: Joe Algeri and crew deliver a bit of perfectly propulsive Power Pop ahead of an upcoming LP. This one will have you singing along before completing your first listen:

The Sunchymes, “Mr. Buckstone”: “Checking The Weather” from 2012’s Let Your Free Flag Fly is quite a popular track on the radio station. This new slice of West Coast Pop wraps a tale of fib-telling boor in a rather pretty package, resplendent with shiny harmonies, “ba-ba-bas” and sweet mellotron flourishes:

The Zags, “Tattoo”:  This is bright and shiny Power Pop in the grandest early-70s tradition with subtle glam and garage rock undercurrents. You’ll also start singing along to this one long before its over:

Loop Line, “All I’m Waiting For”: Loop Line is two guys — one living in the U.S., the other in Japan — who created a 21-track record via file sharing. They describe their sound as “a combination of 60’s pop and 90’s indie rock, with as many vocal harmonies as each song can possibly hold.” That’s an apt description — their just released long-player, Tides, sports what seems like a thousand harmonies. “All I’m Waiting For” must have several hundred itself:

Each of these songs, along with nine-hundred others, are spinning 24/7 on Pop That Goes Crunch radio. Why not check it out?

 

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