A mantra of mine lately has been “if it jangles, I’ll listen to it.” I never thought of myself as a “jangle pop” person back in the 80’s when “jangle pop” became a genre, but I always had a soft spot for the more melodic parts of the left side of the dial. The Replacements’ “I Will Dare” beat their “Dose Of Thunder” hands down. I could listen to Husker Du’s “I Apologize” and “Hate Paper Doll” any day of the week.
The Red Button takes a decidedly mellower approach to the same melodic formula. Their first album, “She’s About To Cross My Mind,” put 1965 and 1966 into an update machine to craft the perfect pop record that stays in your mind for days, weeks and months at a time. The word “girl” figured prominently. The ninth song on “Rubber Soul” is, of course, “Girl.” I put their “Free” on a playlist right after The Beatles’ “Rain.” Two more perfect companions might never be found.
Their new record, “As Far As Yesterday Goes” might be even better. Its reach certainly is greater.
Flourishes of Burt Bacharach’s sophisticated 60s pop come in an out. The title song could have been on The Zombies’ “Odyssey and Oracle.” “Easier” does Emitt Rhodes better than Emitt Rhodes does Emitt Rhodes. And, keeping with tradition, there is “Girl, Don’t,” a perfect power pop gem. Jangles can be heard throughout. They also can get breezy with “On A Summer Day”:<p>On A Summer Day – The Red Button from Seth Swirsky on Vimeo.</p>
“As Far As Yesterday Goes” is my favorite collection of 2011. It’s smart and catchy. It wears its influences without being nostalgic or derivative. It’s sophisticated without being bland. It has an edge without being trendy or falling into alternative rock cliches. And, just like in 1966, its less then 40 minutes long. Brevity is a virtue.
Go get it.