The Sun Sawed in 1/2’s Rational Exuberance
Sometimes I’m in the mood for straightforward bass-guitar-drums and voice rock and roll. Other times, though, I reach for more elaborate, intricately arranged and lushly detailed pop. Elephants into Swans, the new record by The Sun Sawed in 1/2 — their first in thirteen years — fits squarely into the latter category. Its one of the best, most exuberant releases in quite some time.
The Sun Sawed in 1/2 is (very) often compared to Jellyfish, and for good reason. Its sound is equal parts brash, quirky, serious, not serious, psychedelic, fun, and purposefully over-the-top. Elephants into Swans is all of that. It’s also smart, melodic and filled with hooks that increasingly grab your attention upon repeated listening. And, for good measure, it picks up steam as it proceeds, making it the rare record that does front-load its virtues.
It all kicks into high gear by the third track, “Brittle Star,” a sunny up-beat tune about a mercurial girl made of “lightning, passion and rope.” “Countess I Fear Something’s Wrong,” probably my favorite track in the set, is about stolen opportunity –“they cut your song out/with pinking shears and rusted years/they gauged and gauzed it/I press to make repeat then I scan and pause it” — that concludes with a nice Beach Boys flourish for no real reason other than it just sounds great. There’s never anything wrong with that:
Indeed, “sounding great” is the partly the reason for Elephants into Swans to be. “She Offers Her Heart” adds horns to the chorus to up the exuberance factor: “She offers me her heart/and now I’m in love and now I’m in love/and now I’m in love and now I’m in love.” You can’t get any more enthusiastic than that.
Horns also help give “This Girl’s My Lullaby” a swinging, 60’s adult pop feel that veers into decidedly Bacharach territory:
The record closes with more horns on the unrelentingly upbeat and optimistic “Waltzing In Clover.” What else can be made out of these words: “I’ll marry the whole of you/Ten ways amazed for the rest of my days/I’ll marry the whole of you/I’ll drink your gaze sunlit sparkly glazed/I’ll marry the whole of you/You you you you you you’re my love”:
By the end of it, with the words “waltzing in clover” sung over themselves in a dizzying carousel of joy, you can’t help but think: “all you need is love,” in the words of one of The Sun Sawed In 1/2’s other major influences. Indeed, that could very well be the point made by the entire record.
Elephants into Swans can be downloaded for $9 on Bandcamp, a cheap price for such gleeful happiness.
Thanks for the great review. It was super spot on, especially the Bacharach part as that was exactly what we were going for on “This Girl’s My Lullaby.” I can honestly say the Sun was never influenced by Jellyfish but we did end up being big fans of their work. It seems to be a parallel influence of Brian Wilson, Nazz and Queen which led us to these places. Just know we have more music readied for the studio in 2013. Thanks! -Tim Rose
Thanks, Tim! I could have embedded the entire record into this post. It is just that good. Looking forward to more great songs in the near future.