Pop That Goes Crunch!

Seven Decades Of Melodic Rock & Roll

Archive for the tag “Laurie Biagini”

The Big Show #4: Women Who Rock

Bonnie "Guitar" Buckingham

The Big Show #3 was called “Girls, Girls, Girls!”  This week’s edition is “Women Who Rock,” a show devoted entirely to songs fronted by — and sometimes consisting entirely of — women.

Some of the sets are “themed.”

There is a set of quintessentially American rockin’ pop songs fronted by females.

There is a set of quintessentially British rockin’ pop songs fronted by females.

There is a set of “sass,” starting with two old-school put-down tracks (Blondie’s “Rip Her To Shreds” and Holly & The Italians‘ “Tell That Girl To Shut-Up”) and concluding with a more recent sassy song of empowerment (The Dollyrots’ “Because I’m Awesome”).

There is a set of “Bay Area” songs, one by a band out of France (The Leeds), one by a band out of Australia (Jane vs. The World) and one by a Bay Area-based band (The Corner Laughers).

It all ends with a bit of West Coast Pop about summer, and dreaming of summer, by Laurie Biagini.

You can hear it below by clicking on the photo of a pioneering rockin’ woman, Bonnie “Guitar” Buckingham, which also appears at the top of this page. The complete track list follows.

 

Track List:

1.  The Masticators, “Pop Sound”

2.  The Go-Go’s, “Skidmarks On My Heart”

3.  The Bangs, “Getting Out Of Hand”

4.  The Primitives, “Crash”

5.  Lush, “Ladykillers”

6.  Spacemaid, “Taxi”

7.  The Launderettes, “Red River”

8.  The Pandoras, “In And Out Of My Life (In A Day)”

9.  honeychain, “Lucky One”

10. Blondie, “Rip Her To Shreds”

11.  Holly & The Italians, “Tell That Girl To Shut-Up”

12. The Dollyrots, “Because I’m Awesome”

13. The Shivers, “Teen Line”

14. The Zippers, “He’s A Rebel”

15. The Leeds, “Anything”

16. Jane vs. The World, “The Subterraneans”

17. The Corner Laughers, “Transamerica Pyramid”

18. Kostars, “Red Umbrella”

19. Sam Phillips, “Same Rain”

20. Laurie Biagini, “Run To The Sun”

 

Five More Top Notch 2013 Pop Releases From The Place Where Melody Is King

I’m still catching up on discussing recent releases that have been spinning my music devices of late. Here’s five more, proceeding in a linear fashion from “quiet” to “loud.”

Andy Klingensmith, Pictures Of: There are only two instruments here — voice and guitar. Or rather many “voices,” as each song with lyrics contains cascades of gorgeous, layered harmonies amid perfect guitar playing. It’s not at all “crunchy” pop, but acoustic pop with an occasional psychedelic sheen in the Simon & Garfunkel vein. Its also the best cool, late-night album you likely will hear for quite some time. Check out “Template Song,” in particular, and let your worries wash away:

Andrea Perry, Four: Perry’s fourth long-player should be played between Cotton Mather’s Kontiki and Emitt Rhodes’ The American Dream. It has the same handcrafted feel as do those two classics. It touches all of the right chamber pop notes with its use of strings, piano, xylophones, among others, alongside Perry’s dreamy yet substantive vocals. It features contributions from KC Bowman of Agony Aunts and The Corner Laughers, about whom you can read about in the post directly below this one. Four reveals its many virtues slowly but surely, and deserves repeat listens:

Laurie Biagini, Sanctuary of Sound: Dusty Springfield would have made records like this had she hailed from Southern California. Biagini creates the sunniest possible mid-60s Sunshine Pop up in Vancouver, playing most of the instruments and handling the lead and backing vocals herself. The Beach Boys run all through Sanctuary of Sound. The album is so unrelentingly upbeat that I couldn’t stop tapping my foot and bopping my head as it played in the background while doing work earlier this week. Feel the warm sand between your toes:

The Connection, Let It Rock: This is garage rock for now people. The Rolling Stones provide the basic template — The Connection cover “Connection” — and the band’s fingers are firmly planted in the kind of melodic rock that once ruled the airwaves. Let It Rock is not some mere retro project, however. It just, well, rocks, and it does so timelessly. The mid-tempo “Melinda” also features some of the coolest “la la la’s” put to wax or to “zeros” and “ones” in quite some time:

honeychain, Futura: This one takes a trip to 1979 and wraps Blondie, The Ramones, The Buzzcocks, The Go-Go’s and countless other kindred spirits from back in that day around Hillary Burton’s capable hands. The sound nevertheless always remains contemporary. The hooks on this five-song EP come at you non-stop, often launched by pummeling percussion, driving bass and equally hammering guitars:

* * * * * * * * * *

So there’s another five recent and somewhat recent releases worth checking out. Quiet or loud, slow or fast, they nevertheless come from the place where melody is king.

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