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Seven Decades Of Melodic Rock & Roll

Archive for the tag “Scott Brookman”

From The Stacks: An Indie Pop Playlist

Stacks of Records

I have written previously that my single most used iOs “app” is Groove which, among other things, creates playlists automatically based on artist attributes in the Last.fm database. It also creates playlists based on genre “tags” appearing in that database.

One “tag” that appeared the other day on my device was “indie pop.” I gave it whirl. The results were quite good, so I took twelve of the tracks and uploaded a new playlist to the 8 Tracks site. It is embedded below, and can be heard in full, and in sequence, by clicking on the arrow in the embedded image. At 37 minutes in length, it would fit nicely on a 12-inch platter of vinyl.

What will you hear on “From The Stacks”?

There are several artists discussed previously on this site. Scott Brookman kicks off the set with “Karen,” a bit of Pet Sounds-inspired pop from his 2000 long-player, For Those Who Like Pop. 

Wondermints contribute one of their lesser-known tracks, the jaunty Zombies-inspired “Sting O’ Luv,” from the long-unavailable Bali.

One of my favorite bands, The Sharp Things, check in with the subtly soulful, “The Devil In You Sings,” from an earlier LP, A Movable Feast

The Well Wishers deliver straight-up jangly Powerpop with “Heroes.”

The Corner Laughers close the set with the ukelele-driven sunshine pop of “Chicken Bingo,” which starts with one of my all-time favorite couplets: “they asked us where we came from, we said San Francisco/they asked again, we said outer space.” You can get that one here.

Along the way, the set list includes a track by the late, great Elliot Smith and a country-inspired ditty by Hippodrome, sung by Chris Richards, who also has been discussed several times previously on this site.

Here it is:

Complete set list:

1.  “Karen” — Scott Brookman

2.  “Forever” — The Hit Parade

3.  “Sting O’ Luv” — Wondermints

4.  “Don’t Turn Your Back (Open Your Eyes)” — The Afternoons

5.  “Miles Away” — Sparkwood

6.  “Heroes” — The Well Wishers

7.  “See You In The Morning” — Kontiki Suite

8.  “The Devil In You Sings” — The Sharp Things

9.  “Smash Up” — Greenberry Woods

10. “Strung Out Again” — Elliott Smith

11.  “Caroline” — Hippodrome

12. “Chicken Bingo” — The Corner Laughers

Late Summer “Mini” Reviews

Time does have a tendency to fly away. Here are some short takes on some of the best albums of 2013 that have been recently spinning on my music device:

Eric Barao, Eric Barao: Barao’s lushly produced debut album recalls Elvis Costello’s Imperial Bedroom with its swirling melodies, complex arrangements, occasional instrumental flourishes and tales of broken hearts. The lead track, “On Holiday,” with its tension-release structure and Barao’s strong vocals, is a candidate for song of the year:

 

Nick Piunti, 13 In My Head: Piunti’s debut evokes one of my other all-time favorites, The Replacements. He employs a more basic approach. Bass, guitars and drums propel succinct bursts of timeless powerpop that could have been recorded at any time since 1972. Piunti’s Paul Westerberg-meets-Faces-era-Rod-Stewart vocals, and pitch-perfect backing harmonies, should make this a car stereo favorite for years to come. Selecting a “best” song is difficult — there is not a misfire among the ten tracks — but the mid-tempo “On the Way Out” is a good place to start:

 

The Dead Girls, Fade In/Fade Out: Think Big Star, but about a dozen pounds heavier. Fade In/Fade Out has all of the requisite melodic rock elements discussed throughout this site, but amped up with big riffs and occasionally even bigger percussion. “Find Your Way To Me (Oh My Soul)” is the best six-minute plus song Big Star never recorded. For good measure, the band closes the collection with a perfect, harmony-filled cover of Chris Bell’s enduringly beautiful “You And Your Sister”:

 

Scott Brookman, Smellicopter: Brookman has been quietly self-releasing sunny pop gems for quite some time. His 2000 release, For Those Who Like POP, has gotten quite a few spins on iPhone. Smellicopter, though, is his best excursion to date into Beach Boys/Bacharach territory. The second track, “Summer’s Two Weeks Notice” might be the best exemplar of Brookman’s basic style with its decidedly Pet Sounds vibe, but I’m kind of partial to more jaunty “Very Anne”:

 

Lisa Mychols, Above Beyond & In Between: I’ve written previously about Mychols as a member of the Masticators and Nushu. Her third solo album is a perfect distillation of everything that was once great about AM radio, transported to 2013. Its twelve tracks of non-stop hooks and melodies that would sound great on a long, sunny day at the beach. It proudly flashes its influences, but is no mere nostalgia project. A proper, well-produced video for the terrific ballad “Ferris Wheel” can be found here, but Mychols’ own homemade, low-fi clip for the upbeat “Foolin’ The World” is far more endearing:

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So, there’s five of my favorite albums of 2013. Each are worthy of extended play. Tell me what you think.

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